The Pain of Lost Love

WeChat Image_20181002201840

My Picture: Personal Shadows in Taiyuan City: Shanxi Province, China

In a dark human forest
I swore
I would never
love or believe
again.

Anger, drink
and mistrust
was my daily life.
A new friend.

You ask me why I find
it hard to trust, to love
even after all these years.

Easy to forgive
and forget, right!

Because, I am haunted
more by her memories
than new Chinese dreams.

I am the distant drums
of a distant love lost.

Why Do I Write Poetry?

WeChat Image_20181002152943

My Picture: Two friends: Xiahe: Gannan Tibetan Autonomous Prefecture, Gansu province, China

Writing poetry is not easy, at least not for me. It takes time, space, ideas, thoughts and usually something to happen to spur me to write. When some people ask me, and not too many do ‘why do I write poetry?’ my answer is usually consistent. I write poetry because I want to live forever.

Let me clarify what I mean by this.

My life has been eventful and has taken some unexpected turns. Five years ago for example, I was living, working and still playing rugby in the UK. Then my personal circumstances changed and now I live and work, but with no rugby in China. So how do I make sense of this and all the other events and moments in my life?

Well, one way is to write poetry.

A poem allows me to flush from the deep thickets of someplace within me the thoughts, feelings, questions and music, I knew was there and in the world, but didn’t know how to represent this?

More and more I think that my life and eventual death are a momentary flicker that will pass me by (if I let it) without me knowing the experience. I have three children, friends in different parts of the world and I want them to know what I am doing, what I see, what I learn and poetry helps characterize these experiences, opportunities and moments.

WeChat Image_20181002153540

My Picture: Wilmslow Rugby Union Football Club

Whether my poetry is good or not does not concern me too much. I was once part of a writing forum, in which many people seemed more concerned with how many ‘likes’ or ‘followers’ they had, than the honesty and integrity of their writing. This was one of the reasons why I set up this blog.

So why do I write poetry?

Well, as I told a Chinese friend of mine yesterday, to rescue some portion of what has ‘fueled’ me in life, what continues to tell me that I am alive and to leave something of myself behind when I die. Others can then decide if they make something of this or not.

This for me is the nearest thing to being alive.

A State of Mind

WeChat Image_20181002121748

Picture: China Daily

I met a man today with Parkinson’s disease,
his hands permanently clenched shut.
The power, once contagious at birth
no longer accepts the next morsel.

His wife, seemed spat from reshuffled pain,
and leading him into a known future.

I watched them closely.
They once dreamed of sweet genesis,
a life grown of man’s new strength.

They danced on the same floor,
touched in slow succession
on damp common ground.

Now, she takes him to the toilet and
wipes him clean again and again.

“Is it dirty
does it look dirty”
She asked

I held his hand.
And sitting softly, in my soul
I told him that his
life has not yet been cancelled.

 

Note

Statistics show that almost half of the ten million people affected by Parkinson’s Disease, or PD, worldwide are in China. The disease has become the third most deadly disease for elderly people in China. About 1.7% of the country’s population above 65 suffers from PD and nearly 100 thousand new cases emerge each year. The World Health Organization estimates China will see six million PD patients by 2030.

 

Fragments

WeChat Image_20181001214305

My Picture: Outside Sculpture: Hoi An, Vietnam. 

.

When alone, I think
I’ve lived half a life.
A small corner of the noise.
Half a fish.
Half, come winter.
A small white canvas, unfinished.
Smaller, and more smaller.

Half a heart from birth to now.
My eyes, half open barely
touching the ground.

A life waiting for halls of pleasure.
Only half caring a moment longer.
A day half offered, slowed to silence
that roles towards well, wanted solitude.

Shall I disturb this measured
life, and lessen my hopes of harder love.
Or wait…
to meet tomorrow, and beyond.

How to Characterize Pain and Suffering

WeChat Image_20180930103214

My Picture: War Museum” Ho Chi Minh City, Vietnam

Pain and suffering is all around us and how ‘we’ as human beings address and characterize this aspect of the human condition is important now and for the future.

I teach medical English to medical students in China and one of the classes I teach is medical humanities. I would define this as ‘creating a sense of space for pain, suffering death and dying’. Of course this is a great challenge for me and my students. I use poetry as part of these conversations.

This is a poem I wrote

“Are you in pain?”

The nurse asked me about pain
“Does it rain” I told her.

Most days
I am in pain.
It falls upon my soul,
and devours my dreams.

It is a friend, a close friend
A pristine memory,
somewhere in darkened land.

I don’t ask its name,
it has no name worth knowing.

But I wish the pain to be stranger
and fly like a bird.

Moments in a Medical Education

William Carlos Williams advocated poetry based on live contact with the world. He reproduces the details of what he sees. In some ways some of my poetry is an attempt at this observational poetry.

Many of my poems arise from moments of personal heightened consciousness, that I try and develop and extend by writing a responsive poetic line.

An example of this is this poem that I wrote yesterday after taking a class.

 

WeChat Image_20180929101903

My Picture

Moments in a Medical Education

In the class there were 300
Chinese medical students,
full of red hot dreams and
having trouble with words.

I was asked to talk about medical
English, how they could learn.
So I talked about days
of nursing and poetry that
helps the dying.

I’m not sure their teacher
was too happy.

I think most sat there thinking
‘He is funny’ or maybe ‘He is crazy’.
Or maybe they were just nervous
and unsure.

After their teacher gave me a fierce
half-smile, I ran sharply to the point

“What can you do to learn?”

It went on for some time,
the silence.

Then I chose a student, who looked
disappointed that he was the one.

Right then time stopped for both of us.
The clouds outside seemed less than
clouds and the trees seemed to walk alone.

“I like poetry” he said.

The class laughed
and I noticed the faded white cotton curtains
blinked in surprise.
An out-of-nowhere moment
when nothing happens.

And their teacher looked directly at me
More like everything else.