On The Move

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My Picture: Ethnic Headdress: Beijing Culture Museum, Beijing China.

Everybody in China is moving now,
clapping hands for fair visions
and dreams half-forgotten.

It is the national holiday
when the sun shines brighter.
The old, familiar songs
a voice, a chime.

Now everybody
carries something.
Names, stories, memories
from the mountains.
And the dust from
the cities of concrete.

On days like these
there is no sadness,
no rancor.

Just a desire to taste
the salted tea.
And the wind breath
of the naked river beds
at dawn.

The daughters of the nomads
cry once again on padded knees.
And call upon the distant
twilight ghosts, shy and sullen
to lift the veil once more.

In the end, they make it.
And the last race is over,
for another year.

Anger at 11, 000 feet

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Why do people become angry?
Sadness, a sense of injustice…
The gaps between

“Who are you?”

and

“I won’t”

Who knows?

An air hostess is angry with a passenger,
way beyond what is permissible.

Anger is energy.
The air hostess cries,
but still wants to get her point across.
I guess that is why people become angry.

How to Characterize Pain and Suffering

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My Picture: War Museum” Ho Chi Minh City, Vietnam

Pain and suffering is all around us and how ‘we’ as human beings address and characterize this aspect of the human condition is important now and for the future.

I teach medical English to medical students in China and one of the classes I teach is medical humanities. I would define this as ‘creating a sense of space for pain, suffering death and dying’. Of course this is a great challenge for me and my students. I use poetry as part of these conversations.

This is a poem I wrote

“Are you in pain?”

The nurse asked me about pain
“Does it rain” I told her.

Most days
I am in pain.
It falls upon my soul,
and devours my dreams.

It is a friend, a close friend
A pristine memory,
somewhere in darkened land.

I don’t ask its name,
it has no name worth knowing.

But I wish the pain to be stranger
and fly like a bird.

Moments in a Medical Education

William Carlos Williams advocated poetry based on live contact with the world. He reproduces the details of what he sees. In some ways some of my poetry is an attempt at this observational poetry.

Many of my poems arise from moments of personal heightened consciousness, that I try and develop and extend by writing a responsive poetic line.

An example of this is this poem that I wrote yesterday after taking a class.

 

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My Picture

Moments in a Medical Education

In the class there were 300
Chinese medical students,
full of red hot dreams and
having trouble with words.

I was asked to talk about medical
English, how they could learn.
So I talked about days
of nursing and poetry that
helps the dying.

I’m not sure their teacher
was too happy.

I think most sat there thinking
‘He is funny’ or maybe ‘He is crazy’.
Or maybe they were just nervous
and unsure.

After their teacher gave me a fierce
half-smile, I ran sharply to the point

“What can you do to learn?”

It went on for some time,
the silence.

Then I chose a student, who looked
disappointed that he was the one.

Right then time stopped for both of us.
The clouds outside seemed less than
clouds and the trees seemed to walk alone.

“I like poetry” he said.

The class laughed
and I noticed the faded white cotton curtains
blinked in surprise.
An out-of-nowhere moment
when nothing happens.

And their teacher looked directly at me
More like everything else.